WayneDB wrote:Still waiting!
Surely someone must have something?
Come on guys be charitable lol
Hackenslash wrote:For the Beatles stuff, you should try pulling the low end out of the dry sonor kit. They used mostly Slingerland drums, which are quite easy to replicate. The trick is to EQ with little or no low frequency, as the lower end was not transferred to tape in those days very well. Hence they all sound so thin and, IMHO, cheesy and 'orrible! If that's what you're after, though, that's the way to proceed. I have begun acoustic treatment on the pit this week, so it'll probably be next week or the week after before I am really ready to start bulding presets in earnest. I have constructed a big rock preset, with an without reverb for live differentiation, that I could probably stick up tomorrow, if I have time. Watch this space.
Ashermusic wrote:Hackenslash wrote:For the Beatles stuff, you should try pulling the low end out of the dry sonor kit. They used mostly Slingerland drums, which are quite easy to replicate. The trick is to EQ with little or no low frequency, as the lower end was not transferred to tape in those days very well. Hence they all sound so thin and, IMHO, cheesy and 'orrible! If that's what you're after, though, that's the way to proceed. I have begun acoustic treatment on the pit this week, so it'll probably be next week or the week after before I am really ready to start bulding presets in earnest. I have constructed a big rock preset, with an without reverb for live differentiation, that I could probably stick up tomorrow, if I have time. Watch this space.
Actually Ringo played Ludwig, not Slingerland, in their classic era and almost always through a Fairchild compressor. And I still think that it was one of the great sounds.
BTW, the book "Recording the Beatles" is a treasure.
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